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What were those scenes like? And what was Marcus trying to fulfill with this puppy? I will say my heart stopped for that poor puppy. I wanted to ask you about the sequences with the little dog. And not that the two don't ever intermingle, but I think some good friends, some good sweaters, some good wine and some good games would really be all he needed and more.
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Honestly, if you want my take of it, he's a game-night gay who tried to be a party gay and he's very clearly wonderfully, beautifully a game-night gay. Marcus is also exploring the queer community in Vegas, going out to clubs. So the fact that that relationship and those relationships within that work community are starting to really become invested in is the beginning of that community for him. I mean, keep in mind, he just stopped trying to get Ava fired. We saw the seeds of it toward the end of last season, but definitely this season-Ava, Damien, Marcus-the team is actually forming in a way where they're actually interacting with each other, actually having parts in each other's lives, which is something that Marcus definitely didn't have before. Well, and what's great is in this season that work community is actually getting to speak with each other. And it's been really fascinating to at least try to do justice to him.Ĭan you expand on the the idea that he doesn't have a queer community outside of work? Because his work community is queer, and I think that's so great about the show: Queerness is just so inherent. It's what's been the catalyst of all of these, as you said, evolutions in the second season. So it's been really interesting delving into the mind of someone who isn't dealing with their feelings, doesn't have support for the feelings around them. He's not actively surrounded by other queer people outside of work. He's not actually seeing reflections of himself racially. He's so focused on work, and this one thing, he doesn't get the benefit of being included in any of his communities, really. And outside of his mom and his aunt, he doesn't really see reflections of himself.
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He's already someone who doesn't have any friends, I mean real friends. He's already someone who doesn't process feelings very well. Great." And then we got through the first season, and then I realized, oh, this is his first heartbreak. Maybe it'll be something outside of work. How did you participate in that evolution?Ĭarl Clemons-Hopkins: I remember Paul specifically said, "We're going to be going a bit into his personal life, just so you know." I initially thought, "Oh, sure, okay. He could have been just the hard-nosed CEO of Deborah's business, but he's evolved in such a fascinating way. Thrillist: There's an alternate-universe version of Marcus that is not at all this character. Thrillist spoke with the actor about the show's queerness, that little dog, and game-night gays.
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They muster Marcus' intensity and the joy that begins to peek out. It doesn't go well.Ĭlemons-Hopkins, who is nonbinary, has transformed Marcus from a side character into another one of the lost souls at the series' center. While Deborah and Ava are out on the road, he's been figuring out his shit back in Vegas. Now, Marcus is reeling, spending all night at clubs where he doesn't fit in and adopting an adorable puppy that he has no real desire to care for. But Marcus' fear of opening up gets the better of him when he refuses to go on vacation with his new boyfriend.
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In the first season, Marcus lets his shell crack a bit when he starts to date Wilson (Johnny Sibilly), the man who was antagonizing Deborah about water usage on her palatial property. If anyone stands in contrast to them, it's Marcus, played by Carl Clemons-Hopkins, the CEO of Deborah's empire, whose dense deadpan indicates that he takes his job very seriously. Deborah is the elder stateswoman with impeccable animal-print style and Ava is the messy bisexual with her foot constantly in her mouth, but they both will do anything for a laugh. In the world of Hacks, which is now airing its second season on HBO Max, the protagonists Deborah Vance (Jean Smart), legendary stand-up comedian, and Ava (Hannah Einbinder), lowly joke writer, are more alike than they would care to admit.